This short film adapted from the ballet “Daphnis and Chloe”. The pirates chasing Chloe, the capture and rape. The Bryaxis, their leader, obliges to dance for him. The syringe comes to free her…forever.

一个男人帮助其他男人们找到他们所梦想的女人的故事。影评一片批评之声，但是该片的音乐部分可圈可点，尤其片中有首歌叫《Irukkirai》，漂亮至极。

This short film adapted from the ballet “Daphnis and Chloe”. The pirates chasing Chloe, the capture and rape. The Bryaxis, their leader, obliges to dance for him. The syringe comes to free her…forever.

注意，鬼东西全面来袭！拉娜·康铎主演的全新剧集将于7月8日在 Netflix 上线。这一夜，生活平顺的不起眼高三生抓住机会，改变自己的人生故事走向，展开…

小沈阳、沈春阳演绎对抗路夫妇——你什么意思？我没什么意思？爆笑开整！ 沈默（小沈阳 饰）×尤天意（沈春阳 饰），一对结婚N年的对抗路夫妻，日子早已过成了没滋没味的白开水。相看两别扭？唠不到一起了？生活越来越没什么意思？那就离！散伙！！谁料离婚申请刚递完，天降意外！两人生活从此发生翻天覆地的变化……

剧场版短片第十七作

钥圈儿出现在皮卡丘和伙伴们面前，将它插进飘浮在空中的神秘钥匙孔，就出现了奇幻王国。钥圈儿似乎拥有通往各个不同世界的钥匙，不知道皮卡丘的钥匙会带领大家前往哪个世界呢？

Semiotics of the Kitchen adopts the form of a parodic cooking demonstration in which, Rosler states, "An anti-Julia Child replaces the domesticated 'meaning' of tools with a lexicon of rage and frustration." In this performance-based work, a static camera is focused on a woman in a kitchen. On a counter before her are a variety of utensils, each of which she picks up, names and proceeds to demonstrate, but with gestures that depart from the normal uses of the tool. In an ironic grammatology of sound and gesture, the woman and her implements enter and transgress the familiar system of everyday kitchen meanings — the securely understood signs of domestic industry and food production erupt into anger and violence. In this alphabet of kitchen implements, states Rosler, "when the woman speaks, she names her own oppression."

Semiotics of the Kitchen adopts the form of a parodic cooking demonstration in which, Rosler states, "An anti-Julia Child replaces the domesticated 'meaning' of tools with a lexicon of rage and frustration." In this performance-based work, a static camera is focused on a woman in a kitchen. On a counter before her are a variety of utensils, each of which she picks up, names and proceeds to demonstrate, but with gestures that depart from the normal uses of the tool. In an ironic grammatology of sound and gesture, the woman and her implements enter and transgress the familiar system of everyday kitchen meanings — the securely understood signs of domestic industry and food production erupt into anger and violence. In this alphabet of kitchen implements, states Rosler, "when the woman speaks, she names her own oppression."

2021威尼斯电影节非竞赛展映。